Aug. 10, 2018 Paradise Valley Collectors Tim and Anne Marie Schaub wrote:
"We LOVE the piece!!! It fits perfectly in our home here. Anne Marie was so surprised. We truly appreciated your card and the story behind the painting. We absolutely love it. Thank you so much for arranging the delivery for yesterday. It arrived in perfect condition. The check will be in the mail to you today. Thank you so much again. "
On the Left: Giardino
On the Right: Darn that Dream
The 2018 Voyage Phoenix Magazine Interview
V: Great, so let’s dig a little deeper into the story – has it been an easy path overall
and if not, what were the challenges you’ve had to overcome?
D: Phoenix, AZ is now just coming of age when it comes to the arts.
I moved to Arizona in 1990. Coming from any other urban area, like Chicago,
I quickly realized that if I was to survive as a working artist, I had to stop myself from being disappointed. For example, I had to learn to ask the right questions before signing a contract with a gallery. I read every book on art marketing and learned from others who came before me. My disappointments ranged from being offered solo shows, then finding out a few days before the opening that the gallery had closed.A Phoenix gallery curator also promised an exhibit. I sent a list of images for promotion, press release,
and I was promised catering by end of week. He never delivered. (I wrote a letter of cancellation stating my reasons). What I learned about working with others when exhibiting your work, whether locally or beyond, is treat it as your legitimate art business, and you should expect professionalism from all involved. I learned to pass on some local art opportunities that did not match my expectations. I learned why they call it a “practice”. Also rejections, yes, I have a drawer full of them.
V: Please tell us about Diane Sanborn Art. www.dianesanbornart.com
D: In 2004, my husband and I started BRIO Fine Arts Center. It was an amazing creative space that offered classes and artistic opportunities for all. At our high point we employed 23 instructors. We had a monthly art exhibit, held art receptions, and always maintained a respectable reputation for an authentic arts experience. Due to the recession, we closed the business after a successful ten - year run. Now the focus of my business is me, and my art. So it is simply named Diane Sanborn Art. (www.dianesanbornart.com). I hold an annual home show over a three-day weekend usually in the spring. It is well attended with a good amount of sales. I send hand printed invitations and provide refreshments. I offer a wide range of prices and sizes. I turn my home into a comfortable and non-intimidating place to view and purchase art. It is never snobbish or pretentious.I think I would like to be remembered for being authentic and risk-taking in the arts.
This is a review written by Ann Landi, professional art critic. She featured my home show concept in her Vasari 21 newsletter.
Open Studios: Part Two by Ann Landi
Jun 19, 2017
A corner of her house during Diane Sanborn's Home Show
"I went through a period when I thought I was all alone in my part of the world,” says Diane Di Bernardino Sanborn, who lives in Scottsdale, AZ, and makes largely abstract work. “There are very few galleries in my area for contemporary art. Rather than sit around and grouse about it, I decided to do something.”Her solution is an annual “home show,” where she opens up her premises for two days each year and sends out about 200 formal invitations, via snail mail, including a short description of what she’s been up to in the past year. For instance, in her latest series, “Calm,” Sanborn told potential visitors that she had dedicated the work to “a sense of peace and quiet”— her response to the tumultuous year in politics. And she carefully labeled the show “contemporary art”—“that rules out the Southwest thing,” she says. Over time the “home salon” has proved to be not only an anticipated gathering among her followers, but a sales success as well. “I sold nine paintings, and I have two more sales pending,” she says of an event held in late April."
V: Do you look back particularly fondly on any memories from childhood?
D: Yes. Drawing on old newspapers on the floor with a red crayon in my parent’s first apartment.
Pricing: $200.00 – $3500.00
Phone: 480 560 1733
Facebook: Diane Sanborn Art
We included a visit to your Home Show as part of our activities while in Arizona.
It made for a fun, and memorable day. Our purchase of the fine art limited
edition giclee of your painting Uber Spot. It has become the bright spot of our
It is our extreme pleasure to add your work to our small collection.
We're so happy with this addition that it's become a must have to include an
original oil as well. You'll be seeing us again.
Ellen and Jim
New Collectors Sail Away with New Work
A recent home show was the inspiration for this commissioned piece. The couple requested a re-purposed use of their family heirloom crocheted lace and table wear. Although it may not be the current decorating trend to use doilies under vases and atop furniture, they loved the look of the lacy textures with designs that brought back memories of their mothers and grandmothers handmade items.
" I have been weaving with canvas, tissue and other mixed media to create these one of a kind pieces. Avid sailors, "The Deep" incorporates both their love of sailing as well as preserving a memento of the past. Mr. Engle and Ms. Rheaume are pleased with their new aquisition.
44 x 48
oil and cold wax
THE NEW ABSTRACTIONISTS
PART IX Walter Wickiser Gallery
Diane Di Bernardino Sanborn
The paintings of Diane Di Bernardino Sanborn are like messages from another universe. Playful, mysterious and endlessly amusing, they make us smile, contemplate, then smile again. We feel we have been let in on secrets that can’t be reduced to words.
Color is Sanborn’s idiom, and her palette is wide-ranging. One work is aqua and viridian, another ocher and umber, yet another vermillion and gold. Within these beds of color, lines, shapes and symbols unfurl like strands of DNA, according to a logic of their own. As viewers, we can scrutinize the chains of triangles, ovals and trapezoids and puzzle over their meanings. Are they hieroglyphs or pictographs from the unconscious? We may wonder, but the wiser path is to abandon theory and experience the visual.
In Kites and Lanterns, orange, blue and chartreuse diamonds pull our eyes merrily around the canvas, as if traversing a fairgrounds. The colors are vibrant but not hard-edged and the softness with which pale blues melt into vegetal greens suggests a natural landscape. The rounded, golden forms in Polite Conversation, which are as voluptuous as naked bodies, also seem to have emerged from the natural world, as do the lavender, cobalt and yellow shapes sprouting amidst the green in Land of Hopes and Dreams.
As the titles of these works suggest, Sanborn’s images may hail from another universe, but it’s one that runs parallel to our own. In this, she has something in common with those two Modernist granddaddies of the whimsical, Joan Miró and Paul Klee. In her washes of gorgeous color and serpentine lines, we discern a dreamscape that feels uncannily familiar and strange at the same time. It’s as if these apparently abstract works reveal things we have always known, even as they challenge us to recognize them.
“A line comes into being … it goes for a walk, aimlessly, for the sake of the walk,” Klee, once observed. He was describing the act of drawing, as a child might experience it. In this way, he captured the adventurous essence of art. In Sanborn’s paintings, we find a healthy dose of that meandering spirit—an eagerness to follow wherever line and color may lead.
Her sensuous explorations are supported by a subtle color sense and a technical mastery of her materials so assured as to go unnoticed. Sometimes the walker doubles back. And occasionally in the pentimento, we can glimpse evidence of an earlier pass. These ghostlike remnants bleeding through add another numinous dimension to the canvases. “Art,” said Klee, “does not reproduce the visible. Rather, it makes visible.” So it is with Sanborn’s paintings, which reveal to us a reality we would have never seen without them.
TEXAS - Sanborn’s abstract monoprint, entitled Identity Theft, was one of 29 selected from almost 300 entries for the 28th annual international exhibition at the University of Texas Tyler’s Meadows Gallery! Staged January 17th through February 8th, the show’s juror was Wade Wilson of the Wade Wilson Art Galleries in Houston and Santa Fe.
"It was an honor to be chosen. Encountering jurors the caliber of
Wade Wilson is one of the benefits of seeking out these academic exhibitions,” stresses Sanborn. An art critic who has published more than 300 articles in international publications, Wilson is credited with establishing Art League Houston as a leading force in the cultural community while serving as the league’s executive director.
Sanborn’s artwork will also be featured at the “Crossroads” exhibit at Eastern Kentucky University’s Giles Gallery slated for Jan. 31 - Feb. 22. “Of the many approaches to the ’Crossroads’ theme, the underlying factor is the high quality of the work,” points out Gallery Director, Esther Randall.
Robert Morris University, Ox-bow, and Songscapes
CHICAGO - Diane Di Bernardino Sanborn was chosen as professional
artist-in- residence at Ox-bow, affiliate of Chicago Art Institute. As an Ox-bow professional artist-in-residence, Sanborn will have 24 - hour access to her studio.to be admitted to the program, Sanborn underwent a rigorous selection process, which involved submiting images of her series in process entitled Songscapes. The series was featured in a 2009 solo show at Robert Morris University in their State Street Gallery.
"With these works, I'm exploring the realm of emotions by translating song lyrics into visual metaphors, my work describes how through love, loss, and laughter, we are able to reinvent ourselves and survive. Perhaps just to sing another song, paint another picture, we are able to continue. The work includes a painting entitled Come Fly With Me, 60 x 48 oil on canvas, it depicts a romantic couple flying around the world. -
Oriana Parker, Arts Writer, Phoenix, AZ